Renascence XLIII Nos.1-2 (1990/1991), 160 pp.
– O’CONNELL M., The Beginning of the End, The End of the Beginning: Newman and Tract XC, 3-15.
– KER I., Newman’s Conversion to the Catholic Church: Another Perspective, 17-27.
– TENNYSON G.B., Removing the Veil: Newman as a Literary Artist, 29-44.
– BLOCK E., Venture and Response: The Dialogic Strategy of John Henry Newman’s Loss and Gain, 45-60.
– WOODFIELD M., Knowing Without Telling: Newman and the Resistance to Narrative, 61-80.
– DELAURA D.J., “O unforgotten Voice”: The Memory of Newman in the Nineteenth Century, 81-104.
– WARD B. Newman’s Grammar of Assent and the Poetry of Gerard Manley Hopkins, 105-120.
– STASNY J. & B. NELSON, From Dream to Drama: The Dream of Gerontius By John Henry Newman and Edward Elgar, 121-135.
– CROWLEY A.J., The Performance of the Grammar: Reading and Writing Newman’s Narrative of Assent, 137-158.